The five years from 1987 to 1992 was a profoundly pivotal period in time for Japanese Industrial/Noise music. Merzbow would be breaking through to international markets, performing in the USSR and United States, and then switching from analog to digital production. Kazuyuki Kishino (KK.Null) would start introducing Noise to prog-rock and hardcore audiences via Zeni Geva, and later tour with Sonic Youth. Fumio Kosakai began releasing records as part of Incapacitants in ’89 and form C.C.C.C. with bondage pornstar Mayuko Hino. Masonna was smashing his first pieces of gear on stage. And in the midst of it all, from the frenetic distorted frequencies to the hardcore punk rock guitars riffs of the aforementioned artists, Dissecting Table was the alchemical transmutation of the full range of what was going on in that time period. Consisting of two recorded live performances, this double disc relic titled “Industrial Document 1988/91” from Steinklang Industries documents a seminal moment in Ichiro Tsuji’s prolific nihilistic project and the sub-genre of Death Industrial.