Invisible War - The Anarchic Heresies of Reverend Raul Antony
  • Writings
    • The Black Flame
    • Heathen Harvest
    • Interviews
    • Reviews
  • Podcasts
    • The Forest Passage
    • Chaos Sedated
    • Black Signals
  • Anarch
  • Contact
Writings
    The Black Flame
    Heathen Harvest
    Interviews
    Reviews
Podcasts
    The Forest Passage
    Chaos Sedated
    Black Signals
Anarch
Contact
Invisible War - The Anarchic Heresies of Reverend Raul Antony
  • Writings
    • The Black Flame
    • Heathen Harvest
    • Interviews
    • Reviews
  • Podcasts
    • The Forest Passage
    • Chaos Sedated
    • Black Signals
  • Anarch
  • Contact
Chaos Sedated, Podcasts

PODCAST: Chaos Sedated #172 – Longpig, Gnawed, Concrete Mascara, Crowhurst

March 17, 2017 by command No Comments
Longpig

This week we’ve got a live mix of death industrial, noise, and power electronics featuring Longpig, Gnawed, Pine Tree State Mind Control, Offerbeest (side project of Gnaw Their Tongues), Crowhurst, Concrete Mascara, Steel Hook Prostheses, Black Earth, GRVD, and more.

Special thanks to Malignant Records and Annihilvs Power Electronix for their support.

Subscribe via Stitcher or Apple iTunes.

Download the podcast and check out more at RadioFreeSatan.com. Full tracklist at Mixcloud and below the cut.

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Podcasts, The Forest Passage

PODCAST: The Forest Passage 19: Siberian Retro (Fight Your Own War, Perturbator)

September 7, 2016 by command No Comments
Perturbator Night Driving Avenger

After a hectic month of projects and work we return to talk about what we’ve been listening to and watching. Jesse discusses two Russian bands, Nordavind & Volkolak, while Raul takes it back to the neo-retro synthwave sounds of Perturbator, and industrial from JK Flesh & Aderlating. We also talk about the show Stranger Things, the 80’s throwback trend in culture, the new book power electronics book “Fight Your Own War”, and Jesse’s hatred of saxophones.

Power electronics is a genre of industrial or ‘noise’ music that utilises feedback and synthesizers to produce an intense, loud, challenging sound. To match this sonic excess, power electronics also relies heavily upon extreme thematic and visual content— whether in lyrics, album art, or live performance. It is a genre that often invites strong reactions from both listeners and critics, if not dismissed or ignored altogether. FIGHT YOUR OWN WAR is the first ever English-language book primarily devoted to power electronics, bringing together essays and reviews that explore the current state of the genre, from early development through to live performance, listener experience, artist motivation, gender and subcultures, such as ‘Japanoise’.

From Heathen Harvest’s review of Uncanny Valley:

This is what makes the French synthwave project Perturbator unique and successful: its unabashed, arms-wide-open acceptance and reappropriation of eighties aesthetics and tropes without the hint of irony or parody. Perturbator stands out in the synthwave scene not just because of its technical music acumen, but also for the unapologetic embrace of these tropes. In unskilled hands, the results would come off as camp or comedic. Instead, Perturbator successfully mixes the cultural milieu of eighties cyberpunk, anime, dark synth music from the likes of John Carpenter or low-budget films such as Future-kill (1985), occultism, neo-noir, and tech-noir. The end results come off as not only dead serious, but incredibly engaging and surprisingly relevant to today’s societal woes.

Listen to the podcast at Heathen Harvest.

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Black Signals (SYNTH, GLITCH, MINIMAL TECH)

Chaos Sedated (AMBIENT, POST-INDUSTRIAL)

About Me

Me Exploring the world of outsiders, heretics, and occult acoustics since 2004. Editor & journalist at Heathen Harvest and host of The Forest Passage podcast. Director at Radio Free Satan and host of the Chaos Sedated podcast. Editor of The Black Flame and Reverend in the Church of Satan.

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