This week we’ve got a live mix of death industrial, noise, and power electronics featuring Longpig, Gnawed, Pine Tree State Mind Control, Offerbeest (side project of Gnaw Their Tongues), Crowhurst, Concrete Mascara, Steel Hook Prostheses, Black Earth, GRVD, and more.

Special thanks to Malignant Records and Annihilvs Power Electronix for their support.

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Download the podcast and check out more at RadioFreeSatan.com. Full tracklist at Mixcloud and below the cut.

We discuss the latest release from OSTARA, GOST and the upcoming PERTURBATOR tour, dungeon synth from Рабор (RABOR), the long-awaited Greek Black Metal release from AGATUS, and blackened-synth-death from LAMENT CITYSCAPE + THEOLOGIAN. We also contacted several DANNY HYDE contest winners: Adam Czarnecki, Christopher Ashbrook & Stanley Kindly. Check your Facebook message requests to make sure you don’t miss out. We’re also experimenting with moving to SoundCloud, as we’ve experienced some quality issues when uploading directly to WordPress.

After a hectic month of projects and work we return to talk about what we’ve been listening to and watching. Jesse discusses two Russian bands, Nordavind & Volkolak, while Raul takes it back to the neo-retro synthwave sounds of Perturbator, and industrial from JK Flesh & Aderlating. We also talk about the show Stranger Things, the 80’s throwback trend in culture, the new book power electronics book “Fight Your Own War”, and Jesse’s hatred of saxophones.

From Heathen Harvest’s review of Uncanny Valley:

Listen to the podcast at Heathen Harvest.

On this episode we have new music from Dernière Volonté, Ordo Rosarius Equilibrio, and The Human Voice. We also have some Coil and Electric Sewer Age and talk about my recent interview with Coil producer/engineer Danny Hyde. Also featuring Kristoffer Oustad, Cult of Youth, Theologian, and Gustaf Hildebrand.

Often referred to as “the secret third member of Coil”, Danny Hyde recounts his memories working with John Balance and Peter Christopherson on some of their most groundbreaking releases, including Love’s Secret Domain, Horse Rotorvator, and the infamous NIN remixes. Mr. Hyde discusses the controversial decision to release Backwards, reproducing the NIN remixes for Recoiled, and Trent Reznor’s involvement with recording Backwards in Nothing Studios. Danny Hyde also talks about his own projects (Aural Rage & Electric Sewer Age), modern electronic music and getting in touch with his Celtic roots.

Danny Hyde would like to reach out to our audience and have them send him recommendation to help him get back into contemporary industrial music. Leave a comment below or on social media recommending some of your favorite releases for Mr. Hyde, in particular music inspired by his work. We’ll pick out 2 contributors to receive a release featuring Danny Hyde.

From Heathen Harvest’s review of Coil’s Backwards:

Listen to the podcast and more from The Forest Passage at Heathen Harvest.

When people first discover neofolk, they’re quick to come across the work of Death in June, Current 93, and Sol Invictus, if indeed the work of these founders isn’t what led them there in the first place.  However, it usually isn’t long before the work of Michael Cashmore comes into focus, who has arguably been every bit as important to the development of the genre.  This long-time Current 93 collaborator has long been considered a legend through his work as Nature and Organisation, releasing one of the most unique and instantly distinguishable albums that the genre has to offer in 1994 with Beauty Reaps the Blood of Solitude before allowing the project to grow dormant several years later after the release of the unfinished album, Death in a Snow Leopard Winter.

After many years of silence, however, Trisol—likely known to our readership for recent releases ranging from Rome’s A Passage to Rhodesia to Sopor Aeternus’s Mitternacht—has convinced Cashmore to finally reissue both of Nature and Organisation’s albums, along with two bonus tracks, under the banner of Snow Leopard Messiah.  Michael was kind enough to grant us an interview to speak about the project’s past, the reason for bringing these albums back to print for his fans, and his need to evolve as a person today.

The past year has been quite a busy time for your host. I’ve been doing some more writing, editing, and working with my partners at Heathen Harvest on The Forest Passage podcast. But I’m now putting some focus back on Chaos Sedated and recorded a few episodes to get the ball rolling for the next few months. This episode is full of new music from Jarl, Yen Pox, Earth & Sun, Author & Punisher, Chelsea Wolfe, and more. See the gallery of selected album art and links below for more from the artists featured on the episode.

Sutekh Hexen first popped up on my radar when going through the lineup for the Stella Natura festival in 2012. They were easily one of my dark horse favorites from the event, and over the years I’ve made sure to keep up with their unearthly brew of black metal, cacophonous noise, and occult ambiance. This past June I was able to catch an intimate performance in Los Angeles as they toured up the US West Coast and bore witness to a moving sonic ritual. Shortly afterwards I had the pleasure to catch up with the band’s mastermind, Kevin Gan Yuen, and talk about the tour, collaborations, the convergence between extreme metal and noise scenes, tapes, ritualistic performances, and upcoming plans.

The second day of the Tesco festival starts off with conspiratorial ambient electronics from Galerie Schallschutz. Two projection screens flank the stage, displaying acts of enhanced interrogation techniques, explorations of secret government bunkers, and various surveillance equipment. Sky busting super-weapons and extraterrestrial communication round out the overarching themes over the past 10 years of this project’s existence. On stage are a duo of performers on two tables decked out with various digital and analog equipment, including electronic percussion. Their mid-tempo ambient electronics is made eerier with distorted and reverberated vocals, a welcomed harsh element to their hypnotic sound. I couldn’t recall specific tracks, mainly because I was focused on the visuals, but video elements indicate material from “HAARP” (“Angels don’t Play this HA(A)RP”, in specific), and the recently released KUBARK Counterintelligence Interrogation. The grittier, Industrial material very much sounds like Teddybear, potentially “Electrical Nerve Gas”. This was one of the better sounding Galerie Schallschutz performances, but I would have liked to have seen some of their more theatrical actions from past shows.