Invisible War - The Anarchic Heresies of Reverend Raul Antony
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Writings
    The Black Flame
    Heathen Harvest
    Interviews
    Reviews
Podcasts
    The Forest Passage
    Chaos Sedated
    Black Signals
Anarch
Contact
Invisible War - The Anarchic Heresies of Reverend Raul Antony
  • Writings
    • The Black Flame
    • Heathen Harvest
    • Interviews
    • Reviews
  • Podcasts
    • The Forest Passage
    • Chaos Sedated
    • Black Signals
  • Anarch
  • Contact
Heathen Harvest, Reviews, Writings

REVIEW: Deathstench – Massed in Black Shadow

May 5, 2013 by command No Comments
Deathstench Feature

There’s always been a number of shared aesthetic elements between the grittier variants of Black Metal and Death Industrial, as we see with Deathstench. Whenever you attend a concert showcasing either genre, you could see the cross pollination in the crowd. The common disregard for polished production, use of feedback as an instrument, and nihilistic or adversarial themes have led to a few cross-over artists, mostly notably being early Cold Meat Industry veterans MZ. 412, all the way up to the more recent Gnaw their Tongues. It’s also worth noting that Relapse Records recognized something similar in the Death/Grindcore Metal and Power Electronics genres via their Release Entertainment sublabel. While there’s always been a fair number of success in the Grindcore/Power Electronics mix, in the early years I was disappointed with how few of the Black Metal/Industrial acts bring anything worthwhile to the table, with the successful ones taking a more drone/ambient approach. For the most part, you were left with a hodgepodge of stereotypical caricatures of each genre (sorry, Mysticum), which I believe was a byproduct of a misguided yearning to remain elite or true to a hardcore base. This has changed over the past few years, I’ve noticed, with bands such as Gnaw their Tongues gaining much acclaim and Sunn O))) hitting critical mass.

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Chaos Sedated (AMBIENT, POST-INDUSTRIAL)

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Exploring the world of outsiders, heretics, and occult acoustics since 2004.

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