Gost Feature

Over the past 10 years synthwave has transformed from a small niche genre that raised eye brows in Nicolas Winding Refn’s 2011 film Drive to record labels such as Blood Music pulling millions of views on YouTube and fans of the smash-hit Netflix show Stranger Things clamoring for a soundtrack vinyl treatment. Heavily inspired by new wave, 1980′s films, soundtracks, and video games, the genre developed a retro-futuristic aesthetic found in projects such as Perturbator (Black Flame Interview), Carpenter Brut, Power Glove, Com Truise, and more. Among these artists a ghost haunts the genre, pulling more heavily from classic slasher films, Satanic literature, and bass rich contemporary electronic music. His upcoming album, “Non Paradisi”, is described as “a loose musical adaptation of John Milton’s epic poem “Paradise Lost,” concerning Lucifer’s fall from Heaven and ensuing ascent from the Lake of Fire”. At the end of the month Gost will launch an international tour in the United State and Europe, with shows already selling out. I’ve had the pleasure to talk to the man behind this infernal project and discuss some of his influences, Satanism & the Church of Satan, horror films and the throw-back horror trend, Stranger Things, his new album, and his brand new music video, all from a Satanic perspective. Enjoy!

As Satanists we embrace the power of symbols, mythologies, and archetypes that capture abstract ideas, emotions, and our understanding of the universe. Many Satanic artists create their own personas that they develop through their art. Can you give our readers a brief summary of the symbolism and mythology behind your character, Gost?

Gost is the physical vessel for the demon(s) known as Baalberith, the bringer of death, purveyor of truth, prince of Hell and the demon who guides men towards blasphemy. His mission is to spread the dark gospel of the master light bringer through this human form of music and perversion. Obliging human kind with dignity and the recognition of the dignity given.

The thing that brought you to my attention was your use of Anton LaVey’s Black House for your self-titled release. In previous interviews you mentioned that your attraction to Satanism and Satanic imagery was primarily a reaction against the Christian society around you growing up. Over time, has it become something more meaningful to you? Have you read LaVey’s work?

Yes, what started as a stone cast towards anti-theism has very much become a way of life and general philosophy personally… I have read The Satanic Bible, yes.

And what was your reaction to reading LaVey? What inspired you to include the photo of the Black House (Church of Satan headquarters) on your release? It seems to me that it was a nod to your influences.

I enjoy reading LaVey very much. Aside from the image itself being very striking, I align Gost quite closely with the ceremonial aspects that the Church of Satan uses. More than a nod, more like a giant flag!

Read the rest at The Black Flame at ChurchofSatan.com.