Debut of Black Signals, a live recorded mix of minimal techno, glitch, drum & bass, synthwave, and more.

Stream and download at Radio Free Satan.
Full tracklist at Mixcloud and below the cut.

URBAN ḞUTURIST ǢSTHETICS

This week we’ve got a live mix of death industrial, noise, and power electronics featuring Longpig, Gnawed, Pine Tree State Mind Control, Offerbeest (side project of Gnaw Their Tongues), Crowhurst, Concrete Mascara, Steel Hook Prostheses, Black Earth, GRVD, and more.

Special thanks to Malignant Records and Annihilvs Power Electronix for their support.

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Download the podcast and check out more at RadioFreeSatan.com. Full tracklist at Mixcloud and below the cut.

We’re back with a dark ambient mix featuring new music from SiJ, Sabled Sun, Monocube, Trepaneringsritualen, and more! Thanks to Cryo Chamber – Cinematic Dark Ambient, Malignant Records, and Cold Spring Records for their continued support.

Subscribe via Stitcher or Apple iTunes.

Download the podcast and check out more at RadioFreeSatan.com.

Host Raul Antony is joined by Al Ridenour, author of “The Krampus and the Old Dark Christmas”. We discuss the historical threads that led up the Krampus, how the creature was introduced to American culture, the 2015 horror film, and Ridenour’s history with the Cacophony Society. We also talk about Neofolk and Heathen Culture as it relates to world of the Krampus, including a surprising connection to one of our favorite artists at Heathen Harvest.

Listen to the podcast and more from The Forest Passage at Heathen Harvest.

We discuss the latest release from OSTARA, GOST and the upcoming PERTURBATOR tour, dungeon synth from Рабор (RABOR), the long-awaited Greek Black Metal release from AGATUS, and blackened-synth-death from LAMENT CITYSCAPE + THEOLOGIAN. We also contacted several DANNY HYDE contest winners: Adam Czarnecki, Christopher Ashbrook & Stanley Kindly. Check your Facebook message requests to make sure you don’t miss out. We’re also experimenting with moving to SoundCloud, as we’ve experienced some quality issues when uploading directly to WordPress.

Over the past 10 years synthwave has transformed from a small niche genre that raised eye brows in Nicolas Winding Refn’s 2011 film Drive to record labels such as Blood Music pulling millions of views on YouTube and fans of the smash-hit Netflix show Stranger Things clamoring for a soundtrack vinyl treatment. Heavily inspired by new wave, 1980′s films, soundtracks, and video games, the genre developed a retro-futuristic aesthetic found in projects such as Perturbator (Black Flame Interview), Carpenter Brut, Power Glove, Com Truise, and more. Among these artists a ghost haunts the genre, pulling more heavily from classic slasher films, Satanic literature, and bass rich contemporary electronic music. His upcoming album, “Non Paradisi”, is described as “a loose musical adaptation of John Milton’s epic poem “Paradise Lost,” concerning Lucifer’s fall from Heaven and ensuing ascent from the Lake of Fire”. At the end of the month Gost will launch an international tour in the United State and Europe, with shows already selling out. I’ve had the pleasure to talk to the man behind this infernal project and discuss some of his influences, Satanism & the Church of Satan, horror films and the throw-back horror trend, Stranger Things, his new album, and his brand new music video, all from a Satanic perspective. Enjoy!

After a hectic month of projects and work we return to talk about what we’ve been listening to and watching. Jesse discusses two Russian bands, Nordavind & Volkolak, while Raul takes it back to the neo-retro synthwave sounds of Perturbator, and industrial from JK Flesh & Aderlating. We also talk about the show Stranger Things, the 80’s throwback trend in culture, the new book power electronics book “Fight Your Own War”, and Jesse’s hatred of saxophones.

From Heathen Harvest’s review of Uncanny Valley:

Listen to the podcast at Heathen Harvest.

On this episode we have new music from Dernière Volonté, Ordo Rosarius Equilibrio, and The Human Voice. We also have some Coil and Electric Sewer Age and talk about my recent interview with Coil producer/engineer Danny Hyde. Also featuring Kristoffer Oustad, Cult of Youth, Theologian, and Gustaf Hildebrand.

Often referred to as “the secret third member of Coil”, Danny Hyde recounts his memories working with John Balance and Peter Christopherson on some of their most groundbreaking releases, including Love’s Secret Domain, Horse Rotorvator, and the infamous NIN remixes. Mr. Hyde discusses the controversial decision to release Backwards, reproducing the NIN remixes for Recoiled, and Trent Reznor’s involvement with recording Backwards in Nothing Studios. Danny Hyde also talks about his own projects (Aural Rage & Electric Sewer Age), modern electronic music and getting in touch with his Celtic roots.

Danny Hyde would like to reach out to our audience and have them send him recommendation to help him get back into contemporary industrial music. Leave a comment below or on social media recommending some of your favorite releases for Mr. Hyde, in particular music inspired by his work. We’ll pick out 2 contributors to receive a release featuring Danny Hyde.

From Heathen Harvest’s review of Coil’s Backwards:

Listen to the podcast and more from The Forest Passage at Heathen Harvest.

I first heard Perturbator almost exactly a year ago while editing a highly rated review for Dangerous Days at Heathen Harvest. The writer described a faux-retro synthwave album that melds cyberpunk aesthetics with the neon-cool atmosphere of Drive, with an evil supercomputer named “Satan” thrown in the mix. Being a long-time fan of electronic music, cyberpunk, and the films of Nicolas Winding Refn, I couldn’t help be feel like someone formed an album specifically for me.

Keeping my solipsism in check wasn’t hard. It turned out that Perturbator was doing quite well in the underground electronic dance scene. The project was getting excellent coverage in digital and print magazines, and had tracks included in popular indie video games Hotline Miami and Hotline Miami 2: Wrong Number. In many ways this reminded me of the faults of having musical blinders on. Being so focused on specific obscure genres of music almost had me missing out on what would become one of my favorite projects in recent years.